Keeping the camera on one side of an imaginary line that connects two people (or a person and their direction of travel) keeps left and right consistent from cut to cut, so viewers never lose track of the space.
When joining many shots: if something exits frame left, it enters from the right in the next shot.
Not verified — this is a shot-planning principle, not a model feature. See the 180-degree rule and keeping screen direction in the editing techniques.
180-degree rule screen direction, a courier runs from left to right of frame down a sunlit alley carrying a package, always moving left to right, camera tracking on the same side, 35mm lens, bright daylight, urgent mood, 5-second shot.
she walks from left to right of frame (write the same direction word for word in every shot)
Not verified